Baker County Florida

Baker County Florida
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Source: hunting.wehelp.com.ph

Entry for June 12, 2006
Chet Baker was a primary exponent of the West Coast school of cool jazz in the early and mid-'50s. As a trumpeter, he had a generally restrained, intimate playing style and he attracted attention beyond jazz for his photogenic looks and singing. But his career was marred by drug addiction. Baker's father, Chesney Henry Baker,Sr., was a guitarist who was forced to turn to other work during the Depression; his mother, Vera (Moser) Baker, worked in a perfumery. The family moved from Oklahoma to Glendale, CA, in 1940. As a child, Baker sang at amateur competitions and in a church choir. Before his adolescence, his father brought home a trombone for him, then replaced it with a trumpet when the larger instrument proved too much for him. He had his first formal training in music at Glendale Junior High School, but would play largely by ear for the rest of his life. In 1946, when he was only 16 years old, he dropped out of high school and his parents signed papers allowing him to enlist in the army; he was sent to Berlin, Germany, where he played in the 298th Army Band. After his discharge in 1948, he enrolled at El Camino College in Los Angeles, where he studied theory and harmony while playing in jazz clubs, but he quit college in the middle of his second year. He re-enlisted in the army in 1950 and became a member of the Sixth Army Band at the Presidio in San Francisco. But he also began sitting in at clubs in the city and he finally obtained a second discharge to become a professional jazz musician. Baker initially played in Vido Musso's band, then with Stan Getz. (The first recording featuring Baker is a performance of "Out of Nowhere" that comes from a tape of a jam session made on March 24, 1952, and was released on the Fresh Sound Records LP Live at the Trade Winds.) His break came quickly, when, in the spring of 1952, he was chosen at an audition to play a series of West Coast dates with Charlie Parker, making his debut with the famed saxophonist at the Tiffany Club in Los Angeles on May 29, 1952. That summer, he began playing in the Gerry Mulligan Quartet, a group featuring only trombone, trumpet, bass, and drums " no piano " that attracted attention during an engagement at the Haig nightclub and through recordings on the newly formed Pacific Jazz Records (later known as World Pacific Records), beginning with the 10" LP Gerry Mulligan Quartet, which featured Baker's famous rendition of "My Funny Valentine." The Gerry Mulligan Quartet lasted for less than a year, folding when its leader went to jail on a drug charge in June 1953. Baker went solo, forming his own quartet, which initially featured Russ Freeman on piano, Red Mitchell on bass, and Bobby White on drums, and making his first recording as leader for Pacific Jazz on July 24, 1953. Baker was hailed by fans and critics and he won a number of polls in the next few years. In 1954, Pacific Jazz released Chet Baker Sings, an album that increased his popularity but alienated traditional jazz fans; he would continue to sing for the rest of his career. Acknowledging his chiseled good looks, nearby Hollywood came calling and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. But he declined an offer of a studio contract and toured Europe from September 1955 to April 1956. When he returned to the U.S., he formed a quintet that featured saxophonist Phil Urso and pianist Bobby Timmons. Contrary to his reputation for relaxed, laid-back playing, Baker turned to more of a bop style with this group, which recorded the album Chet Baker & Crew for Pacific Jazz in July 1956. Baker toured the U.S. in February 1957 with the Birdland All-Stars and took a group to Europe later that year. He returned to Europe to stay in 1959, settling in Italy, where he acted in the film Urlatori Alla Sbarra. Hollywood, meanwhile, had not entirely given up on him, at least as a source of inspiration, and in 1960, a fictionalized film biography of his life, All the Fine Young Cannibals, appeared with Robert Wagner in the starring role of Chad Bixby. Baker had become addicted to heroin in the 1950s and had been incarcerated briefly on several occasions, but his drug habit only began to interfere with his career significantly in the 1960s. He was arrested in Italy in the summer of 1960 and spent almost a year and a half in jail. He celebrated his release by recording Chet Is Back! for RCA in February 1962. (It has since been reissued as The Italian Sessions and as Somewhere Over the Rainbow.) Later in the year, he was arrested in West Germany and expelled to Switzerland, then France, later moving to England in August 1962 to appear as himself in the film The Stolen Hours, which was released in 1963. He was deported from England to France because of a drug offense in March 1963. He lived in Paris and performed there and in Spain over the next year, but after being arrested again in West Germany, he was deported back to the U.S. He returned to America after five years in Europe on March 3, 1964, and played primarily in New York and Los Angeles during the mid-'60s, having switched temporarily from trumpet to fl gelhorn. In the summer of 1966, he suffered a severe beating in San Francisco that was related to his drug addiction. The incident is usually misdated and frequently exaggerated in accounts of his life, often due to his own unreliable testimony. It is said, for example, that all his teeth were knocked out, which is not the case, though one tooth was broken and the general deterioration of his teeth led to his being fitted with dentures in the late '60s, forcing him to retrain his embouchure. The beating was not the cause of the decline in his career during this period, but it is emblematic of that decline. By the end of the '60s, he was recording and performing only infrequently and he stopped playing completely in the early '70s. Regaining some control over his life by taking methadone to control his heroin addiction (though he remained an addict), Baker eventually mounted a comeback that culminated in a prominent New York club engagement in November 1973 and a reunion concert with Gerry Mulligan at Carnegie Hall in November 1974 that was recorded and released by Epic Records. By the mid-'70s, Baker was able to return to Europe and he spent the rest of his life performing there primarily, with occasional trips to Japan and periods back in the U.S., though he had no permanent residence. He attracted the attention of rock musicians, with whom he occasionally performed, for example adding trumpet to Elvis Costello's recording of his anti-Falklands War song "Shipbuilding" in 1983. In 1987, photographer and filmmaker Bruce Weber undertook a documentary film about Baker. The following year, Baker died in a fall from a hotel window in Amsterdam after taking heroin and cocaine. Weber's film, Let's Get Lost, premiered in September 1988 to critical acclaim and earned an Academy Award nomination. In 1997, Baker's unfinished autobiography was published under the title As Though I Had Wings: The Lost Memoir and the book was optioned by Miramax for a film adaptation. Baker's drug addiction caused him to lead a disorganized and peripatetic life, his constant need for cash requiring him to accept many ill-advised recording offers, while his undependability prevented him from making long-term commitments to record labels. As a result, his discography is extensive and wildly uneven. Chet Baker was a primary exponent of the West Coast school of cool jazz in the early and mid-'50s. As a trumpeter, he had a generally restrained, intimate playing style and he attracted attention beyond jazz for his photogenic looks and singing. But his career was marred by drug addiction. Baker's father, Chesney Henry Baker,Sr., was a guitarist who was forced to turn to other work during the Depression; his mother, Vera (Moser) Baker, worked in a perfumery. The family moved from Oklahoma to Glendale, CA, in 1940. As a child, Baker sang at amateur competitions and in a church choir. Before his adolescence, his father brought home a trombone for him, then replaced it with a trumpet when the larger instrument proved too much for him. He had his first formal training in music at Glendale Junior High School, but would play largely by ear for the rest of his life. In 1946, when he was only 16 years old, he dropped out of high school and his parents signed papers allowing him to enlist in the army; he was sent to Berlin, Germany, where he played in the 298th Army Band. After his discharge in 1948, he enrolled at El Camino College in Los Angeles, where he studied theory and harmony while playing in jazz clubs, but he quit college in the middle of his second year. He re-enlisted in the army in 1950 and became a member of the Sixth Army Band at the Presidio in San Francisco. But he also began sitting in at clubs in the city and he finally obtained a second discharge to become a professional jazz musician. Baker initially played in Vido Musso's band, then with Stan Getz. (The first recording featuring Baker is a performance of "Out of Nowhere" that comes from a tape of a jam session made on March 24, 1952, and was released on the Fresh Sound Records LP Live at the Trade Winds.) His break came quickly, when, in the spring of 1952, he was chosen at an audition to play a series of West Coast dates with Charlie Parker, making his debut with the famed saxophonist at the Tiffany Club in Los Angeles on May 29, 1952. That summer, he began playing in the Gerry Mulligan Quartet, a group featuring only trombone, trumpet, bass, and drums " no piano " that attracted attention during an engagement at the Haig nightclub and through recordings on the newly formed Pacific Jazz Records (later known as World Pacific Records), beginning with the 10" LP Gerry Mulligan Quartet, which featured Baker's famous rendition of "My Funny Valentine." The Gerry Mulligan Quartet lasted for less than a year, folding when its leader went to jail on a drug charge in June 1953. Baker went solo, forming his own quartet, which initially featured Russ Freeman on piano, Red Mitchell on bass, and Bobby White on drums, and making his first recording as leader for Pacific Jazz on July 24, 1953. Baker was hailed by fans and critics and he won a number of polls in the next few years. In 1954, Pacific Jazz released Chet Baker Sings, an album that increased his popularity but alienated traditional jazz fans; he would continue to sing for the rest of his career. Acknowledging his chiseled good looks, nearby Hollywood came calling and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. But he declined an offer of a studio contract and toured Europe from September 1955 to April 1956. When he returned to the U.S., he formed a quintet that featured saxophonist Phil Urso and pianist Bobby Timmons. Contrary to his reputation for relaxed, laid-back playing, Baker turned to more of a bop style with this group, which recorded the album Chet Baker & Crew for Pacific Jazz in July 1956. Baker toured the U.S. in February 1957 with the Birdland All-Stars and took a group to Europe later that year. He returned to Europe to stay in 1959, settling in Italy, where he acted in the film Urlatori Alla Sbarra. Hollywood, meanwhile, had not entirely given up on him, at least as a source of inspiration, and in 1960, a fictionalized film biography of his life, All the Fine Young Cannibals, appeared with Robert Wagner in the starring role of Chad Bixby. Baker had become addicted to heroin in the 1950s and had been incarcerated briefly on several occasions, but his drug habit only began to interfere with his career significantly in the 1960s. He was arrested in Italy in the summer of 1960 and spent almost a year and a half in jail. He celebrated his release by recording Chet Is Back! for RCA in February 1962. (It has since been reissued as The Italian Sessions and as Somewhere Over the Rainbow.) Later in the year, he was arrested in West Germany and expelled to Switzerland, then France, later moving to England in August 1962 to appear as himself in the film The Stolen Hours, which was released in 1963. He was deported from England to France because of a drug offense in March 1963. He lived in Paris and performed there and in Spain over the next year, but after being arrested again in West Germany, he was deported back to the U.S. He returned to America after five years in Europe on March 3, 1964, and played primarily in New York and Los Angeles during the mid-'60s, having switched temporarily from trumpet to fl gelhorn. In the summer of 1966, he suffered a severe beating in San Francisco that was related to his drug addiction. The incident is usually misdated and frequently exaggerated in accounts of his life, often due to his own unreliable testimony. It is said, for example, that all his teeth were knocked out, which is not the case, though one tooth was broken and the general deterioration of his teeth led to his being fitted with dentures in the late '60s, forcing him to retrain his embouchure. The beating was not the cause of the decline in his career during this period, but it is emblematic of that decline. By the end of the '60s, he was recording and performing only infrequently and he stopped playing completely in the early '70s. Regaining some control over his life by taking methadone to control his heroin addiction (though he remained an addict), Baker eventually mounted a comeback that culminated in a prominent New York club engagement in November 1973 and a reunion concert with Gerry Mulligan at Carnegie Hall in November 1974 that was recorded and released by Epic Records. By the mid-'70s, Baker was able to return to Europe and he spent the rest of his life performing there primarily, with occasional trips to Japan and periods back in the U.S., though he had no permanent residence. He attracted the attention of rock musicians, with whom he occasionally performed, for example adding trumpet to Elvis Costello's recording of his anti-Falklands War song "Shipbuilding" in 1983. In 1987, photographer and filmmaker Bruce Weber undertook a documentary film about Baker. The following year, Baker died in a fall from a hotel window in Amsterdam after taking heroin and cocaine. Weber's film, Let's Get Lost, premiered in September 1988 to critical acclaim and earned an Academy Award nomination. In 1997, Baker's unfinished autobiography was published under the title As Though I Had Wings: The Lost Memoir and the book was optioned by Miramax for a film adaptation. Baker's drug addiction caused him to lead a disorganized and peripatetic life, his constant need for cash requiring him to accept many ill-advised recording offers, while his undependability prevented him from making long-term commitments to record labels. As a result, his discography is extensive and wildly uneven. http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47816DE46A57520C59E3A41...
Source: blog.360.yahoo.com

Tipsy Gold
The Tipsy- Defining Moments DVD is to be released this month. It features classic past episodes such as this. Tipsy " episode #415 Previously on Tipsy -Andy s house. Hannah drags Midge by the wrist up the stairs, past several people drinking bottles of beer and WKD, and along the landing. Sound of a loud party in the background. Midge: (laughing) What where are we going? (Hannah smiles and pushes open the door to a bedroom, just as someone opens the bathroom door. Midge turns, distracted) Hannah: (winking) Come on (she leads him into the bedroom. Cut to Greg s tortured face as he comes out of the bathroom) -Opening credits/ theme tune. Tipsy, Everybody s feeling Tipsy, With a little Gin and Vodka, You can find the perfect drink, That s when you become Tipsy, I think. -Andy s kitchen. Jeary stands in the middle of a crowded room, talking to Kate Aitkinson and Amy Ewers. The name of the episode " sentiments of a fine lover " appears on screen, followed by the director and producer s names. Jeary: (taking gulps from a bottle of beer) Yeah to be honest, I m an absolute fuckin lightweight! I just I never drink very often it s gonna be great when my dad gets here to pick me up and I m all pissed Kate: (patting his arm affectionately) Ah, you don t seem to be doing that badly. Jeary: They were like they were like, Oooh, Nick, you re going to a party? There won t be any alcohol there, will there, now? (he laughs) I think they reckon I ve gone to watch DVDs and eat chocolate cake! (all laugh) Amy: Oh dear, your parents must be pretty na ve! I mean, there s weed here, not just alcohol! Jeary: (laughing) Fucking druggies, eh! (to Kate) So how come you know Andy? (Enter Lano) Lano: (to Amy, grinning) Ah so, what do you think of the famous Jeary? Amy: (smiling elusively and watching Jeary and Kate converse) More to the point, what does Kate think of him? (raises eyebrows furtively) Lano: (looking surprised and laughing) You think she likes him? (Amy puts a finger over her lips. Enter Andy) Amy: (amiably) Andy well done on the party! Going very well Andy: (his dog-like hair flying across his face as he nods) Thanks. Lano: How s it going? House trashed yet? Andy: No it s alright at the moment. I guess we just have to wait til people get more drunk! Amy: Oh, I don t know how you can cope I d never let this many people in my house! Andy: (bracingly) Oh no, it s alright. (Baker goes dancing past the window, singing and holding a bottle of wine) Hmmm I think he might be the first! (incidental comedy music plays) -In the spare room, Midge and Hannah lie on the bed together. Midge: I was so worried when I heard about the floods. Hannah: (mildly) Why? I was perfectly safe. Midge: Oooh, yes, I was really to know that, wasn t I? (Hannah smiles weakly) Hannah: (in a small voice) I missed you (Midge kisses her) Did you miss me? Midge: Yes. (she makes a noise of pleasure. Sound of fists banging on the door is heard, followed by the drunken voices of the BTC chanting let us in, let us in, let us in! ) Hannah: Wow, you were right to barricade the door. Midge: (winking) I m always right Hannah: (chuckling) So you made up with Greg the pirate? Midge: (groaning) Yeah (a brief pause) Hannah: What happened? Midge: Oh, I don t wanna talk about Greg (another pause, then he kisses her passionately) -In the living room, Greg sits on a chair, draining an entire bottle of beer. He finishes it and slams it on the table. Burn by Usher plays in the background. Christine: (frowning) You alright, Greg? Greg: (looking around at her with a bewildered expression) Oh, yeah yeah (he gets up and trudges off with a distracted expression. Enter Michael Lapham) Michael: Have you seen Pervy Tom? He s on the trampoline! I m thinking (mimes pushing him over). Christine: (half-amused, half-annoyed) No, Michael, I said " I m just going to ignore Tom. I can t be bothered (Enter Baker) Baker: Oy, where s that fucking chinky bitch " ooh, no offense, Cheung (he plants a kiss on her cheek) Where s that bitch Ji? I wanna show her what happens when one messes with La Baker! Christine: (disapprovingly) Err, I don t know Baker: (with a flamboyant gesture) Oh, I see that s how it is! Well I ll just go go and give Andy s sister more tips on how to give blowjobs " god, she needs them! (takes a large swig of Chardonnay and walks off) Christine: Right (close-up on her bewildered face) -Andy s garden. Rains falls heavily. Ben and Eldridge are hitting cans of soft drinks at each other with cricket bats. Katie and Prem are sitting under the gazebo, drinking copiously and laughing. Enter Easty and Andy. Easty: (tutting) Oh dear, Eldridge! Eldridge: (chuckling) Tis a fine sport, this, young Jonny the game of kings! Unlike tennis Katie: I thought you weren t allowed to drink, Jonny? Easty: Umm, yeah, I m not really. Just having a couple Ben: Who the fuck are half these people here, by the way? Andy: (shrugging) Apparently about thirty of them were brought here by Christine. The rest were invited by Baker. I didn t actually organise anything. Katie: (tipsily) Oh but you provided the house, Andy we do love you! Easty: Greg s behaving so hyper tonight I d forgotten how loud he can be (Enter Waj) Waj: Hey, Andy, you d better come inside. Someone s trying to set fire to your gecko! (Andy makes an aggrieved noise and runs into the house. A heavy metal guitar riff plays) -The front room. One boy holds a gecko in his hand, while his friend flicks his lighter. Macca sits on the sofa, laughing at the spectacle, with his arms around Rachel and Amy. Dip it low by Christina Millian plays in the background. Boy 1: (speaking in a Harlem ghetto/South London chav twang) Ey, damnit, stay still, man! This lizard aint stayin still! (Andy rushes in. The boy hides the gecko behind his back) Andy: (flustered) Are you trying to torch my gecko? Boy 1: Eh? No. It s Andy, man, right? Andy: Yeah who are you? Boy 1: Ned! Don t you remember me from Lano s? Andy: (brightening) Oh, yeah, yeah! (to the other boy) You must be Hunter? Boy 2: Err, Hugo, actually close enough! Andy: So, seriously, no-ones done anything to my gecko? Ned: Oh yeah, sorry mah brair " there was some bloke who had it a while ago, but I think he put it back. Went off that way. (points vaguely into the distance with his gecko-free hand) Andy: Oh. Ok. (He leaves) Macca: So do you girls reckon I m good-looking? Amy: (waving an arm) Oh, yeah sure! Macca: Would you " err if you were single, y know? Rachel: (laughing) Umm, yeah, I guess Macca: (jokingly) Hey, you know, I m sure Peter s pretty open-minded about this kind of thing (all laugh) Amy: James certainly isn t! Macca: But, seriously, what about Stef? Has she ever said anything about me? Amy: Umm, not that I can remember why? Macca: (peering through into the kitchen) Oh, there she is OY, STEF! COME JOIN US " (spreading his arms) " PLENTY OF ROOM ON THE SOFA! Stef: Maybe later " I m just getting a drink. (cut to Macca s slightly disappointed face) -In the garden, Greg and Eldridge are throwing empty beer cans over the fence. Enter Lano. Lano: Ah, a waste disposal scheme, is it? Greg: (smirking) Yep it s called dumping on second rate citizens. Lano: (casually tossing an empty bottle into Easty s garden) Ooh, whoops poor Easty! Malcolm will not be pleased about this! (sound of Liv Pearson s scream from the distance) Greg: (muttering) Liv for fuck s sake Lano: I made up with her tonight she sort of apologised. Eldridge: Honestly, if Liv tried to make up with me, I would actually rape her face Greg: Oy, Lano, have you seen Midge, recently? Lano: Umm, no, I think he s with Hannah somewhere. Greg: (with affected mildness) Ahh that damn midget Lano: Well, time for me to get another beer, I think! (he goes into the house) Eldridge: You know, it s not really any of your business what Midge is doing with Hannah. Greg: Hmmm (he makes a moan of annoyance and downs another bottle of beer. As he finishes it he hurls the bottle to the ground " it smashes " and screams in anguish) MIDGE!!!!! -Cut to the spare room, where Midge and Hannah are lying together. Hannah: (alarmed) What was that? Midge: (frowning) Dunno (his expression is worried until he turns back to face Hannah and kisses her. Cut to adverts) -Outside shot of Andy s house at night. -Baker, Rachel, Katie and Amy are standing in the hall. Baker has one hand down Amy s bra and another holding a bottle of wine. I should be so lucky by Kylie Minogue plays in the background. Baker: (feeling Amy s breast) Yeah, those are pretty good Amy, but maybe not as pert as Rachel s. Well let s try yours, then, Katie. (pretends to laugh like a dirty old man as he slips his hand down Katie s top) Oh yes, the boobs a la Katie are certainly most delightful too! Hmm Katie: Whose are the best? Baker: Ahh, I would have to say Miss Tucker s (he beams at Rachel) for the pure splendour of them. (Kate and Jeary come walking past) Kate: Come on, let s see who s upstairs! Jeary: (to the group) I don t have a fucking clue what I m doing! Can you believe " my mum was, like, now you won t touch any alcohol, will you, Nick? and I was like, no, dear mother, of course not! and can you believe it I m pissed! And it s great! Kate: (laughing) He s only had a couple, honestly! Baker: Right, well, this bitch needs to go and steal some more wine from Andy s garage or I m going to be going home far too sober! (He turns to leave and walks straight into Andy) Oh, Andy! Great party! (he grabs him and kisses him on both cheeks. Rachel, Amy and Katie grin at each other) -Camera moved into the kitchen, where Easty and Lano are arguing. Easty: My mum moved her car into the back garden! You could have smashed a window! Lano: Oh, come on, with plastic cans? Easty: (indignantly) It was a glass bottle " I saw you! Lano: (airily) I don t know what you re talking about! (Easty makes a disbelieving noise. Christine comes bustling past) Alright, Christine? Are you drunk yet? (she walks on without making any sign of having heard him. Lano shrugs) Guess she must be -Upstairs, Jeary and Kate are alone in the music room. Jeary: So, honestly, yeah, I ve done pretty much jack shit all summer apart from this tonight and a week in a fucking miserable holiday house in the south of France, there s been fairly little action in the Nick Jeary calendar. Kate: (laughing) You re quite cute, you know. (she hugs him and rests her head on his chest) Jeary: Umm, wow. I don t think anyone s ever called me that before. Kate: (affectionately) Hey! I really mean it. (light music begins to play) Jeary: (with raised eyebrows) Shit you must be much drunker than I thought (she laughs happily) -On the patio, Greg sits alone with his head in his hands. Andy and Katie watch him. Katie: (in trepidation) I ve never seen him so drunk Andy: Has he been sick? Katie: I don t know Hey, Greg! (sympathetically) Are you ok? (Greg doesn t reply) Andy: Maybe he s passed out (raucous laughter and cheering breaks out nearby) Lano: (rushing over) Andy, I think there s something you should see! (he points up at an illuminated window at the top of the house through which Jeary and Kate are visible pulling) Andy: (laughing) Oh my god! Eldridge: Jesus Christ I think this is probably the most disgusting sight of my life! Lano: CAN YOU BELIEVE IT! Can you believe we predicted it, Andy, we predicted it! I can t believe Jeary actually pulled someone! (He starts chanting Jeary s name. The BTC join in. Jeary sticks his middle finger up and draws the curtains. The laughter continues. Light music plays) -Andy s garage. Baker is drinking heavily from a bottle of wine and talking to a very attractive, muscle-bound boy. Baker: (very drunk) So, this sexy hunk is Jason, uh huh? Jason: Yeah Jason LaGrou " I know, it s a fucked-up name. Ji: (from the makeshift bar where Katie is serving drinks) Yeah Jason LaGay! Baker: Oh, your name s Miss Bitchy-eyes McBitch! Ji: (derisively) Yeah fuck you, Baker! Baker: (calling after her) YEAH? GO FUCK YOURSELF, MISS PUSSY CHOW MEIN! (turning back to Jason) So, Mr McGay I mean, LaGay err Jason: LaGrou I m not really gay. Baker: Oh, yeah? That s what you think! Jason: Might be bi if you play your cards right! Baker: (finishing his bottle of wine and tossing it aside) Well, much as I love a challenge, I m going to have to leave you (he stands up and slaps Jason on the ass) and steal a bit more wine. See you later! -He stumbles out into the garden, vaguely detects Midge and Hannah sitting under the gazebo and charges towards them. Midge: Ah, Baker! Baker: MIDGE AND HANNAH! (he grabs them both) Tonight s glamour couple! So good to see you both Hannah: (nervously) Umm, good to see you too, Baker Baker: Damn right it s good to see me! Now, let s get a few things straight. (he takes aggressive hold of Midge s arm) Midge " be a good boyfriend to Hannah. Don t you dare ever " EVER " cheat on her! (he slaps Midge s face) If you do cheat on her, I will come over to your house and cut your bollocks off! Now, is that straight? Midge: (wearily) Yes, Baker Baker: Good. Now " Hannah. Don t you dare ever cheat on Midge or I ll well, I ll find something to cut off! Midge: (holding Hannah away from Baker in a courtly manner) Baker " it s alright! It s fine I know she won t cheat on me. Hannah: Yeah I promise. Baker: Well, I ll trust you now, then oh, what s that long-haired motherfucker doing? (he walks over to where Greg still sits with his head in his hands) Oy, Boer " how s it going? Greg: (looking up at Baker as though he d never seen him before) BAKER! (he grabs Baker and lifts him off the ground in a powerful hug) Baker: (getting his breath back) Ooh, wow, Boer, you sure know how to please a man! (he slaps Greg s ass; Greg slaps Baker s back) Greg: Whatever, Baker, you know I m too good for you! -Jeary and Kate are standing in Andy s front door, surrounded by loud, drunk people saying their goodbyes. Jeary: So, I ll call you, ok? Kate: Ok. (she leans in and makes out with him) Amy: (tapping Jeary s shoulder) Apparently your dad s here, Nick. Jeary: Great. Time not to act pissed. (he kisses Kate again) Bye, Amy. (he walks out of the house and into the waiting car. Kate blows a kiss as he slams the door. Sounds of Jeary and his dad talking as the car drives away) Mr Jeary: Who s that girl, Nick? Jeary: Dunno. No-one really. Mr Jeary: She looks like she s been drinking. Jeary: Oh yeah, a little bit, I think. -Kate and Amy watch the car go. Amy: Could be the one, you know! Kate: (laughing) I don t know we ll see. Hey " you must be pretty excited James coming home this week. Amy: (her eyes gleaming) I know, I know! It s going to be just like falling in love all over again! (she does a little jig on the spot. A soft chord plays) -Lano, Greg, Stef, Rachel, Aymi, Katie and Prem walk down a dark residential street. Greg: (singing in an extremely drunk, off-key voice) OH, JEARY S BIRD IS OH SO FIT, SHE S OH SO DAMN FIT JEARY S BIRD IS FIT! OH, JEARY S BIRD, JEARY S BIRD, JEARY S BIRD! Prem: (to Lano) You seem not to be wearing any shoes. Lano: Yeah " I left them at Andy s house " I m gonna go back there for a bit when I finish walking you guys home. Nice singing, Greg. Greg: (swaying) Yeah, it s an ol classic ahh, Jeary s bird, eh, Jeary s bird! Lano: Ha! I still can t believe it! Greg: Not like Midge s bird, I should say Midge s bird looks like an absolute witch! But, oh well, he s Ed Cornish we ll never fathom his ways Rachel: (protesting) Hey! Hannah seems really nice! Greg: (laughing) Hmm nice but definitely witchy. Witchy, witchy Hannah! Not like Jeary s bird. OH, JEARY S BIRD IS FIT SHE S FIT, SHE S FIT, SHE S FIT ________________________________________________________________________ -Andy and Macca stand in the hall. From the toilet Baker is heard singing The Sound of Music . Mrs Connellan walks in from the kitchen. Mrs Connellan: Well, it s not too much of a mess, is it? That shouldn t take too long. (whispering) Who s in there? Andy: (with an ominous look) Baker (a loud clunk and splash is heard, followed by a scream by Baker. After a few seconds, he emerges) Baker: Andy, someone seems to have broken your toilet seat Andy: (annoyed) Oh, Baker! (he inspects the damage) Baker: (to Mrs Connellan) Oh, Rosemary, you are a sweety! Thank you so much for letting us have this party " thank you! Mrs Connellan: That s quite alright, Baker. Baker: Oh, I really can t thank you enough! (he kisses her on both cheeks) Mrs Connellan: (laughing in embarrassment) Really, it s fine -Eldridge and Midge are in Andy s study. Eldridge: (in a jolly voice) So " you and Hannah, eh? Looks like it s going pretty well! Midge: (letting out a smile) Yeah I " I really like her. Eldridge: Ahh, the sentiments of a fine lover! Midge: (laughs) Greg doesn t seem to like her very much Eldridge: (concerned) Yeah actually, there s something I need to tell you about that. (Midge s phone beeps) Midge: Hang on a sec (he opens the message. Camera does a close-up on his phone. Dramatic music begins to play. The words on the screen read: I love you. I will always love you. Call me tomorrow to let me explain. Greg. ) -Close up on Midge s stunned face. -Closing credits.
Source: dxzljahdsolgfjdsajgpsajg.spaces.msn.com

Narrow Reprieve
News Slant The Guide News Slant Archive May 2003 Narrow Reprieve Leatherman spared life in prison for non-crime By Jim D'Entremont As he sentenced Alden Baker to a six-to-10-year prison term for the non-violent rape of his adult male limo driver, Judge Robert Barton could have assumed, in 1991, that the Commonwealth of Massachusetts would parole the 41-year-old leatherman four years later. But by March 14, 2003, when a jury gave Baker his freedom, the justice system had changed. After serving his maximum sentence, Baker, now 53, had spent an additional 21 months in custodial purgatory while Middlesex County District Attorney Martha Coakley sought to have him civilly committed from one day to life as a sexually dangerous person. During the late 1990s, the Bay State's criminal justice apparatus had embraced and abetted a national trend toward stiffer penalties, harsher treatment of prisoners, and demonization of real or imagined miscreants, especially sex offenders. The Massachusetts Parole Board had stopped paroling people. In Kansas v. Hendricks (1997), the US Supreme Court had given its blessing to Sexually Dangerous Predator statutes implementing involuntary civil commitment. Under a 1999 post-Hendricks revision of the Commonwealth's Sexually Dangerous Persons Act, the likelihood of open-ended detention for "treatment" had made any termination on criminal sentences imposed for sex crimes almost meaningless. At a time of paranoid retributive justice charged with erotophobia, anyone outside the sexual mainstream can be punished for his lifestyle. The effort to prolong Al Baker's imprisonment was fueled by anti-gay folklore, misapprehensions about the SM/leather community, and child-protection overkill. In the civil commitment trial that began on February 24, Assistant DA Lee Hettinger and prosecutor Steven L. Hoffman locked horns with Baker's defense counsel, Boston attorney John Swomley, who produced a succession of witnesses including psychologists Daniel Kriegman and Leonard Bard, California sexologist Charles Moser, forensic psychiatrist Fred Berlin of the Johns Hopkins School of Medicine, and James Kommiker, the man Baker was supposed to have raped. Following the episode where his employer forced him into mutual oral sex-- or so Kommiker claimed under pressure from local police-- Baker's driver had gone back for additional blowjobs on several occasions. By the time of the civil commitment trial, Kommiker was ready to assert that the case against Baker was overstated. "I want to help Al," the alleged victim testified. "He did his time." Straining to convince the jury that Baker would rape again if set free, the prosecutors depicted him as a sadistic, unrepentant sexual compulsive with a penchant for underage boys and a fetish for non-consent. Their arguments were undermined by the inconvenient facts that Baker, described by one witness as "the biggest bottom I know," leans toward masochism, and has never had any demonstrable sexual interest in anyone under 18. When Kommiker had sex with Baker, he was 29. Behind the scenes-- and in the courtroom, where she sometimes sat taking notes-- lurked Martha Coakley, a politically enterprising DA whose media-tweaked reputation rests on her scorched-earth policies toward sex offenders. Coakley put herself on the prosecutorial map in 1993 by obtaining a conviction in the headline-grabbing, highly dubious, "recovered memory" child-molestation case of Lowell, Mass. grandparents Ray and Shirley Souza; she will soon begin the prosecution on similar charges of Rev. Paul Shanley. The Baker case contained the kinds of lurid elements that exercise magnetic power over Coakley. During the original 1991 bench trial, prosecutors regaled Judge Barton with descriptions of Baker's basement playroom-- described as a "torture room" by one investigator-- and videotape Baker had shot of sadomasochistic roleplay sessions involving himself and friends. Barton, a conservative Yankee, was so repelled that it became irrelevant that Kommiker had never entered that playroom, participated in videotaped orgies, or seen Baker's videos. Though not admitted as evidence, the videos were once again cited as proof of Baker's depravity at his civil commitment trial. An aspect of the case with even greater Coakley-appeal was that while serving time on the rape charge, Baker concurrently completed a 43-month sentence for sexual exploitation of children. The "children" were young men of undocumented age, some of whom may have been young adolescents, appearing in 82 of about 3000 pictures uploaded by members of the Eagle's Nest, a leather-oriented computer bulletin board Baker ran until his arrest. (The photos were one feature of a complex system, not its raison d' tre.) The sentence meted out by a federal judge was the result of a plea agreement Baker insists he was forced to accept. Baker was not even permitted to see the pictures he was accused of disseminating. Before his incarceration, Baker was an energetic business entrepreneur. At the time he ran the Eagle's Nest out of his home in Medford, a Boston suburb, he had built up a prosperous-- albeit controversial-- business as a contract strikebreaker. Baker's company, Management Support Systems, supplied manpower and tactical assistance to management during strikes. Clients included Sears, the Knight-Ridder newspaper chain, and Anheuser Busch. Baker's activities enraged union officials, including members of the Teamsters' Boston Local; some believe that union operatives played a covert role in Baker's arrest. Defense witnesses at Baker's civil commitment trial did include, however, at least two labor activists who were among his friends at the time of his strikebreaking career. Many of Baker's associates, who span the political spectrum, remained loyal through his years of imprisonment, and looked forward to his June 16, 2001 release date. Before that date arrived, however, Baker was transferred from the penal facility at Gardner, Mass. to the Nemansket Correctional Center, euphemistically known as the Massachusetts Treatment Center, located 30 miles south of Boston in the town of Bridgewater. There he spent months awaiting a hearing to determine whether civil commitment might be warranted, and then the civil commitment trial itself. During his time at the Treatment Center, a place he calls "an emotional death camp," Baker resisted pressure to participate in therapy sessions tailored to those already committed. Dr. Ira Silverman, the first state psychologist to evaluate Baker, did so without Baker's cooperation. At the April 2002 probable cause hearing, Silverman asserted that Baker's habit of cruising for sex, as well as his ownership of sex toys, amounted to evidence of mental abnormality. He also stated that Baker's behavior fits the definition of sexual sadism present in the fourth edition of the psychologists' Bible, the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV). Silverman clumsily (or shrewdly) omitted from his report the words "real, not simulated," which, in the actual DSM text, distinguish between real "sexual sadism" and sexual roleplay. (The distinction is one Baker himself understands all too well: early in his prison term, when he was gang-raped, beaten, and shoved face-first into a toilet bowl, the actions-- and the resulting pain and humiliation-- were real, not simulated.) Silverman's report-- the basis for the civil commitment trial-- was excluded as evidence by Judge Ralph Gants, who presided at the civil proceeding. Predictably, the state's Qualified Examiners, Drs. Niklos Tomich and Stephen DeLisi, followed Silverman's lead in finding Baker sexually dangerous. Both are employed by Forensic Health Services (FHS), the treatment contract provider at the Treatment Center. "The contractor is the Department of Correction," defense attorney Swomley points out. "DOC certifies FHS; FHS does what DOC wants-- and, in the process, makes money on each inmate they commit." In testimony, Tomich noted that while Baker might not, after all, be a boy-lover, evidence did point to "sexual sadism" and suggest a paraphilia that "makes him sexually aroused in situations of non-consent." Tomich said he would place Baker in the "sickest one per cent" of sex criminals. DeLisi called the Eagle's Nest "a computer bulletin board for child pornography," and referred to the "minor children" in the porn photos as if Baker had lined up actual young boys for serial sodomy. On his own behalf, Baker testified that he had believed his sexual encounters with Kommiker were consensual. "I assumed consent," he said, "because I wanted it to happen... and I was completely wrong." Baker's expert witnesses, while differing somewhat among themselves on issues of abnormality and dangerousness, rejected the state psychologists' findings. "I see no evidence that there's a daily struggle to fight off urges to rape," said Dr. Berlin, describing Baker as "fundamentally a decent guy." "Twelve years ago," Swomley told the jury in his closing argument, "Al Baker was found responsible for his behavior. Now he's being told he's not responsible and needs to be committed.... I ask you to determine that even leather queers have the right to walk the earth, to be free." To be judged sexually dangerous in Massachusetts, an individual must (a) have been convicted of a sex crime, (b) have a "mental abnormality" or "personality disorder," and (c) be clearly inclined to reoffend. The prosecution maintained Baker met all three requirements, and that his sexual preferences constituted evidence of abnormality. The jury of four men and eight women decided, after three days' deliberation, that it disagreed. The outcome of the Baker case will not forestall more cases like it. Ironically, if Baker had lost, a successful appeal might have set a precedent stating that adults cannot be civilly committed because of their enjoyment of private, consensual kinky sex. But even in states where sodomy laws have been repealed or gutted, like Massachusetts, the US Supreme Court's 1986 ruling in Bowers v. Hardwick-- which says that states can outlaw forms of private, consensual sex-- casts a shadow over all sexual minorities. The Supreme Court may reverse or revise Bowers in its current session when it addresses Lawrence and Garner v. Texas (see The Guide, January 2003), but civil liberties issues concerning paraphiliac behavior seem likely to linger. Meanwhile, released from prison under supervision of both state and federal probation officers, Alden Baker has been required to register as a sex offender. The Massachusetts Sex Offender Registry, in assigning him a risk-level classification, will rely on the assessments of state-retained forensic psychologists. Martha Coakley and the state's hired guns have, in a sense, prevailed.
Source: atwhatpricesurvival.aldenbaker.com

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